In the words of the artist Martin Vaissié:
When dilapidation becomes a fifth dimension and ruins reveal their souls, the subject is no longer image but pure emotion.Martin, who vibrates more to the sight of decaying buildings than to the slick smile of the Mona Lisa, sees neither landscapes nor objects. His eyes only perceive the personality of each place, in all its pathetic or grandiose singularity.
There is a paradox between the magnificent presence of the buildings and the indifference which leads them towards their inexorable end. When highlighted by the lens, this gap gives the building a second life through photography. A moment of ultimate and eternal truth.
Between a pictorial and cinematic approach, these forgotten monuments seem to enjoy posing for the lens of the artist by offering him the opportunity of the special pictorial aesthetics, so plastic and often symmetric, that he loves.
Martin’s works feast on the effect of these atmospheres which evoke the end of an era or the sunset of civilization. They are supported by these crumbs from our collective memory to extract their non-conventional atmosphere. That of the weariness of places whose facades have long since abandoned any trace of makeup.
But have retained all the beauty.