The landscape of the Palestinian Museum by Heneghan Peng has the ‘worked’ quality of a city; every element of it has been touched and tells a story of intervention, production, culture, environment, commerce. Like a city, the terraced landscape has embedded within it its history. The approach to the Palestinian Museum is to draw on this history of the terraced landscape, embedding the museum into its immediate site and drawing from this site to tell a larger story of a diverse culture.
The cascade of terraces tells a diversity of stories, citrus brought in through trade routes, native aromatic herbs, a rich and varied landscape with connections east and west. The building itself emerges from the landscape to create a strong profile for the hilltop both integrated into the landscape yet creating an assertive form that has a distinctive identity.
Situated on a ridgeline within the breathtaking 280-acre Quintessa Estate in Napa Valley, the Quintessa Pavilions designed by Walker Warner Architects exemplify the ideal fusion of architecture and nature. Immersed in the landscape and surrounded by vineyard-covered hills, each pavilion is carefully sited to protect visitors from the elements while preserving the surrounding oak trees that naturally shade the area. Built with sustainability in mind, the overall design echoes the existing winery in its environmental sensitivity and industrial material palette that ages and weathers elegantly. The result is three, unique wine tasting pavilions that can be utilized year-round despite the weather.
Neelam Theatre, one of three cinemas built as part of Le Corbusier’s construction of Chandigarh, is revealed in these new images by British photographer Edmund Sumner. Built in the early 1950s, Neelam Theatre is located in Sector 17, the commercial district of the modernist city that was famously masterplanned by Le Corbusier in post-independence India.
But the building was actually designed by Aditya Prakash, one of six Indian architects assigned to work with Le Corbusier and his cousin, French architect Pierre Jeanerret, during the construction of Chandigarh. Despite his central role in the masterplan, Le Corbusier’s involvement in the commercial district was quite limited.
The New York Public Library commissioned this branch library of 12,000 square feet. We restored the existing 1907 Carrere and Hastings Carnegie Library and designed a new 7,000 square foot building to be located alongside. The library is conceived as a modern public institution that will contribute to the revitalization of the Stapleton neighborhood.
The facility is an assemblage of old and new. The existing Carnegie Library was converted into the Childrens’ Reading Room. The new building, constructed of glue laminated Douglas fir posts, beams, joists and roof decking, houses books and media. The structurally glazed facade invites the public and supplies natural light. The exposed wood structure provides a sense of rhythm, scale and material richness unexpected in contemporary public buildings.
Château la Coste is a vineyard in the south of France that, in addition to its wine-making program, includes major works of contemporary art and architecture across its 500 acre campus. Joining Tadao Ando, Frank Gehry, and Jean Nouvel, Renzo Piano is the latest Pritzker laureate to complete a structure for the ever-expanding complex. The ‘Pavilion of Photography’ forms a exhibition venue buried six meters below ground.
Surrounded by grapevines, theRPBW-designed building seeks to display art and preserve Château la Coste’s wine supplies. the sunken 285 square meter structure uses exposed concrete for the retaining and exhibition walls, a material choice that contrasts the glazed façades and roof canopy. ‘The partly buried building highlights the roof covered with a sail fastened to thin metal arches,’ explains the architects. ‘these arches echo the graphical layout of the grapevines, enabling to integrate the sail into the vineyard.’
The scenery of the house also makes sky and stars visible on this residence designed by WILLL Architektur. The inconspicuous form, embedded into the landscape, overlooks a one hundred and fifty kilometer panoramic view.
Through subtle gestures, dark tones from the exterior walls unfold into the landscape. There is direct connection between the permeable nature of the interior space, and what lies outside. A proportional interplay between transparent elements and weighted cantilever, all contribute towards a composed whole. Given the surroundings, glazed incisions cut into the form provide individually considered framed views across the landscape.
Captain’s House is located in the village of Beijiao at the end of Huangqi Peninsula. The geology of the peninsula’s cliffs means buildings are clustered along a narrow spine. Beijing-based Vector Architects was tasked with upgrading the house and making it better suited to modern family life.